Tinker Tailor Soldier Spy was one of the films that I knew I
had missed out on by not seeing it in theaters.
Fortunately, for me, the advances in home entertainment have allowed for
theater like experiences to exist outside of actual theaters, and this,
combined with a Redbox coupon allowed me to view the spy thriller in a setting
that replicated the big screen. The
grandiosity of such a film is only helped by viewing it in an encompassing
manner, particularly considering that the film is both incredibly cinematic and
narratively dense. Viewing the film is
no passive activity and between the brilliant screen adaptation of the
seventies miniseries and a veritable onslaught of Academy Award deserving
performances, Tinker Tailor Soldier Spy is everything one could desire in a
thriller. It is becoming rarer and rarer
to find a thriller that is not easily predictable or repetitive and despite
knowing the plot to this film prior to engaging with it, I still found myself
on the edge of my sofa wondering what would happen next and at what point each
character would meet their demise. The
release of this film, along with The King’s Speech a year earlier is quickly
restoring my faith in the presence of British filmmaking, something that for so
long seemed to be carried solely by
Danny Boyle. Tinker Tailor Soldier Spy
is a giant achievement in reminding moviegoers of how complex and magical a
piece of cinema can be when executed correctly.
The plot for Tinker Tailor Soldier Spy is a long, drawn out
piece of narrative that is to be experience and would suffer from the slightest
of spoilers. However, I will attempt to
give a cursory explanation as to the workings of the film in order to allow
readers some semblance of what the workings of the film. The narrative places those watching within
the aftermath of a recent assassination of a British spy, one Jim Prideaux
(Mark Strong) who was sent by a higher up with the intent of ratting out a
Russian spy within their own forces. His
assassination is unexpected and the result of an overreaction by persons within
the Russian infiltrate. Realizing the
emerging danger within such actions, British intelligence brings their best spy
George Smiley (Gary Oldman) out of retirement in hopes of finding the rat
within their organization. Armed only
with his wits and the help of a younger agent, Smiley delves into an
investigation that leads him to the realization that every individual within
British Intelligence is suspect to odd behavior, including himself. Smiley quickly becomes a point of contempt by
members of the agency and is watched as closely as those he is investigating. Travelling between Britain, Hungary and
France Smiley unfolds a trail of deceit and paranoia that also forces him to
reflect on his own past, one that is full of loss, despair and
disillusionment. Ultimately, the film
ends with an explosive climax of realizations on both national and personal
scales fading out with what will perhaps prove to be the best use of Julio
Iglesias music ever.
Tinker Tailor Soldier Spy is an incredibly nostalgic
film. It would seem odd to call a spy
film about the divisive effects of The Cold War to be such, but the signs are
all there. The characters exist in a
world very similar to that of the television series Mad Men, when unspoken
rules of etiquette and social mores outweighed individuals desires to prove a
point or rise in the world. This notion
is only double when placed within a British society that highly values manners
and formalities. The characters in the
film clearly exist to provoke viewers into reflecting on a past when spies
could get drunk at parties and bureaucracy could be overturned simply by
knowing the right individuals. Despite
reflecting fondly on the past, Tinker Tailor Soldier Spy is also fairly
critical of the era, making note of the incredibly misogynist existence of the
agency, manifested quite clearly in the dismissal of the suspicions of one female
spy within the film. Furthermore, the
other women within the film are either relegated to the corners of the scenes
or completely non-existant, as is the case with Smiley’s wife Ann, who never
makes an appearance, despite the film existing in multiple time periods. Furthermore, when characters engage in
behaviors seen as socially unacceptable behavior they do so behind close doors,
because their being spies only exacerbates their possibility for exploitation. To some extent, Tinker Tailor Soldier Spy
plays out like an old school James Bond film in that it seems cool on a surface
level, yet is clearly problematic when one looks at each of the pieces
individually.
Tinker Tailor Soldier Spy is profound. It is well worth owning and in this case
bluray is the only way to go.
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